I toured the Getty Villa weeks after 17 employees fought flames from the Los Angeles fires. Here's how it became an anti-fire fortress.

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The Getty Villa sign with fires in the background from the Palisades Fire in California

An unrelated property goes up in flames behind a sign marking the road into the Getty Villa. David Swanson / Contributor / Getty Images
  • The Getty Villa survived the Pacific Palisades fire due to its anti-fire construction and technology.
  • The museum's staff also spent days protecting the property and its artifacts from flames and smoke.
  • Photos from the Getty Villa after the fire show what it takes to keep an at-risk estate safe.

When fire razed the Pacific Palisades in January, the Getty Villa proved itself to be a practically impenetrable anti-fire fortress.

Built like a fortress and outfitted with state-of-the-art firefighting infrastructure, this museum and ancient-Roman-estate replica remained standing as nearby homes burned down.

The facility's emergency preparedness specialist, Les Borsay, gave Business Insider a tour of the villa just weeks after he and a team of about 17 employees fought the flames encroaching on the property.

"It's not luck that this place is still here," he said.

In an era of mega-fires that can threaten urban areas like Los Angeles, the Getty Villa shows what it takes to keep an at-risk estate safe.

The Palisades fire sped down a hillside toward the Getty Villa on January 7, starting a days-long firefight.

black statue of a person laying on a rock pointing toward the sky in the middle of a long decorative pool in a hedge garden surrounded by a roman-style villa with red tile roof with a dry brown hillside in the behind it

The Getty Villa sits below a very dry, fire-prone hillside. Morgan McFall-Johnsen

"It was a little shocking how fast it moved," said Borsay, who was on-site when the fire broke out.

The museum is closed to visitors on Tuesdays, so there were no guests to evacuate.

The villa is a museum of the J. Paul Getty Trust. It houses a collection of Ancient Greek and Roman art.

white bust statue with nose and chin chipped off on a black pedestal in a museum room filled with white marble statues

Artifacts inside the villa are sensitive to changes in humidity and temperature. Morgan McFall-Johnsen

The trust possesses the largest endowment of any museum in the world, estimated at more than $8 billion in 2023. It also includes the Getty Center, an art museum located 13 miles away in the Brentwood area, which has survived its own brushes with fire.

Most buildings on the property are made out of concrete with a tile roof, which is quite fire-resistant.

empty fountain with green bronze statues of monkeys sitting around the central column with a brutalist concrete building in the background with an outdoor stairway leading to a second floor

This monkey fountain near the villa entrance is in the middle of a few auxiliary buildings for offices, the museum shop, and a cafe. Morgan McFall-Johnsen

"Everybody always told me about the James-Bond-like construction of our sites," Katherine E. Fleming, the president and CEO of the GettyTrust, said in a press release after the fire. "And then I actually saw it in action. It is pretty astonishing."

Still, the facility staff had already sprung into action when they heard a fire had started in the Palisades that morning.

man in blue sweater and jeans looks walking down a pathway through a hedge garden under an archway covered in vines in a roman style courtyard

Les Borsay walks through the villa gardens, which survived the fire. Morgan McFall-Johnsen

They wanted to prevent as many spot fires as possible — ignitions of vegetation, cars, or smaller wood structures — and protect the museum's artworks from smoke or changes in humidity.

Staff also moved cars into the underground concrete parking garage.

They taped up doors to prevent smoke from seeping into rooms where ancient artwork is kept.

tall pair of wood doors lined with orange and blue painters tape set in an elaborate marble mural wall

Staff lined the cracks around the museum's doors with orange and blue tape. Morgan McFall-Johnsen

The particulate matter in smoke can damage art and ancient artifacts.

They shut off the museum's HVAC system to outside air.

villa courtyard with bushes trees and a black statue viewed from the shadow of a walkway behind a cluster of tall white roman columns holding up a second floor circling the courtyard with red tile ornaments

This peaceful courtyard was filled with smoke during the fire. Morgan McFall-Johnsen

If pressure indoors was lower than pressure outdoors, the system could suck in smoke.

The fire was approaching the Ranch House, which came with the property when J. Paul Getty bought it after World War II.

salmon-pink-colored long rectangular building with red tile roof on a wooded hillside where some trees are brown and charred

J. Paul Getty's Ranch House is up against the wooded hillside where fire first approached the property. Morgan McFall-Johnsen

He added a second floor and filled the house with his growing art collection.

All vents into the house's attic area are fitted with mesh, Borsay said, to prevent embers from flying in and starting fire inside.

top corner of a pink building with red tile roof and two small vents visible just below it with a small tower with arched open windows behind against a blue sky with whispy clouds

Vents like this are fitted with mesh to block flying embers. Morgan McFall-Johnsen

Ignition-prevention experts have previously told Business Insider that they recommend homeowners install noncombustible, one-eighth-inch mesh screening on all vents on the outside of their homes.

Still, the fire getting so close made Borsay nervous until the Los Angeles Fire Department dropped water to snuff it out.

Fire trucks went in and out of the villa that day because of its central location and 50,000-gallon underground water tank.

two thick black firefighting pipes rising from the ground side by side and merging together with red valves in a shrubby area outside a pink building

This riser helps push water from the underground reservoir to the building's sprinkler system. Morgan McFall-Johnsen

"If we have a place that's safe, a place with water, they're going to come in and use it to be able to protect us and our surrounding area," Borsay said.

Sharing the water is the neighborly thing to do, he said, but also, "if our neighbors start going down, that could impact us."

Fire hydrants across the museum estate can help fight any fires on-site. They draw from the underground water tank, which feeds automatic sprinklers inside the Getty buildings.

yellow fire hydrant between two small shrubs under a tree in a lawn in front of a large pink villa building

One of several fire hydrants stationed across the property. Morgan McFall-Johnsen

Staff members took turns putting on N95s and goggles, grabbing fire extinguishers, and spending up to 30 minutes outside spraying spot fires. None of them were trained firefighters, but they all had basic fire-extinguisher training.

Bushes, vines, and trees were catching fire from all the flying embers. Putting them out early helped prevent the flames from spreading.

Borsay said that everybody was allowed to leave, but many people chose to stay behind to protect the estate and its ancient statues and artifacts.

"This is everybody's shared cultural history that we're the stewards of," he said.

Unlike the Ranch House, the villa building was "built like a vault," Borsay said.

roman villa replica building with marble steps leading to first floor through a peristyle porch walkway lined with white columns holding up the second floor balcony with garden hedges in front and a red tile roof on top

The villa's Roman design is conveniently fire-resistant. Morgan McFall-Johnsen

The villa's concrete and travertine construction makes its walls virtually un-burnable.

"Concrete's lovely. The brutalists were right," Borsay said.

Getty had the villa constructed in the 1960s and 70s as a replica of the Villa dei Papiri in the ancient Roman city of Herculaeneum.

long outdoor marble walkway along a white yellow and red building wall with white roman columns supporting a blue ceiling with decoration and birds painted on

This stuff does not burn. Morgan McFall-Johnsen

In AD 79, the eruption of Mt. Vesuvius buried the city and the villa.

"He knew that this place burned," Borsay said of J. Paul Getty. "I think that that's part of the reason why it was built the way it was."

marble beige staircase with black ash dust on the steps

Ash lines an outdoor stairway up to the villa's second floor. Morgan McFall-Johnsen

Fire is a natural part of the Santa Monica mountains' ecosystem, so brush fires are common.

Fire-rated doors also protect the artworks and artifacts inside the building.

man in blue sweater moving in a blur in front of a pair of iron doors

These iron doors, as well as entryways that involve walking through two sets of doors, help protect the ancient artwork inside. Morgan McFall-Johnsen

"You can imagine some of our lenders were a little concerned," Borsay said, so he sent them videos of the art inside to show it was safe.

When fire burned through a corridor of trees on the estate, Borsay wasn't worried about the villa building itself.

brown yellow burnt short bushes trees in a dirt patch next to a building with a red tile toof

Scorched trees where the Palisades fire encroached onto the Getty Villa property. Morgan McFall-Johnsen

He was, however, keeping an eye on a nearby elevator shaft.

"All around this elevator it was just huge flames. That was probably the part I was most concerned about," Borsay said.

tall brown outdoor elevator shaft connecting levels of a concrete structure

This elevator shaft was a significant opening into a villa building. Morgan McFall-Johnsen

It's an outdoor elevator, going from the estate's entrance to the outdoor auditorium, but it's also connected to indoor areas. So if fire had gotten into the elevator, it could have spread inside an auxiliary building.

Windows are another major vulnerability for any structure, so keeping them clear of foliage is crucial.

side of a building with a first floor beside a concrete patio and a basement floor made of brick below the patio with windows and a pair of doors under the patio leading to the basement

There are vines surrounding this window, but no larger foliage like bushes or trees. Morgan McFall-Johnsen

Borsay said the museum groundskeepers had been careful about that.

Landscaping is key to preventing the spread of fire.

black statue of a naked boy leaning forward as if running in a garden of shrubs

Statues in the outdoor gardens are replicas, so embers and ash damaging them wasn't a major concern. Morgan McFall-Johnsen

Wildfires often spread to new buildings through embers falling and gathering in flammable materials — like dry bushes, firewood piles, or dead leaves clogging roof gutters.

That's why ignition experts recommend keeping up with yardwork and maintaining a 5-foot fuel-free zone around a house or building.

The museum has two gardens. Both were well-watered, so even as embers rained down, they didn't burn.

two matching rows of small garden plants beside a roman villa building with white walls and red tile roof beneath a dry brown hillside

The Roman herb garden at the villa is still lush and unburnt. Morgan McFall-Johnsen

"We kept an eye on it, but I was less concerned about it. And again, even if this area burns, it's gonna be pretty safe inside," Borsay said.

The villa emerged ashy, but none of its structures burned. The Palisades fire burned for 24 days.

two black statues of women in roman garb each reaching one arm above their head stationed on either side of a long pool of water with a layer of green stuff on it in the courtyard of a roman villa

The green stuff in this pool is ash from the Palisades fire. Morgan McFall-Johnsen

Getty staff began the long process of replacing damaged irrigation and sprinkler equipment, cleaning up ash, and monitoring the facility for looters or new fires.

Flames even reemerged on a hill near the parking lot a week after the fire had passed. Embers had been smoldering in the dirt.

By the time Business Insider visited the facility in February, most of the ash had already been cleared.

five plastic bags tied closed filled with dark dirt-like material sitting in the sun. on a red walkway under white roman columns

Bags of debris from the fire as workers continue to clean the villa. Morgan McFall-Johnsen

There's still a lot of work to do. Conservators are assessing the art to ensure it wasn't damaged. The surrounding area is undergoing its own cleanup and rebuilding process. It's unclear when the museum will reopen.

Even so, the property is a world away from when it was covered in ash and soot.

"It's amazing how clean it looks like right now, because I'll tell you in the days after, it just was a serious mess," Borsay said.

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